MILONGAS and WORKSHOPS SCHEDULE
adres: aleja Zygmunta Krasińskiego 1
Check the location: Vidok Restaurant, based on the roof famous for its amazing view – Wawel Castle, Vistula River and all Cracow panorama. Especially for us, the restaurant will create a special tango menu, available at reasonable prices.
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address: Daniłowicza 10, Wieliczka
show: Gianpiero Galdi and Maria Filali
Wieliczka is a town just next to Kraków. It is possible to go there and come back by a cheap public transport - a train from the Main Station. Check the schedule here: https://malopolskiekoleje.pl/index.php/pierwsza-strona
The lift witch will take you underground starts at 20:30 and finish at 2:00. It will be possible to go outside during the whole milonga. Anyway downstairs there will be a smoking room, toilets and a bar waitin for you.
check the location: 200 square meters dance floor… 135 underground! Wieliczka Salt Mine milonga will take place in Jan Haluszka Chamber. There’s a bar in there as well.
XIII century Wieliczka Salt Mine, a world-class monument, is featuring among twelve objects on the UNESCO’s World Cultural and Natural Heritage List (since 1976). It’s also one of the seven wonders of Poland by “Rzeczpospolita” magazine.
address: ul. Lubicz 5
show: Majo Martirena and Rodrigo Fonti
Hotel Europejski – a XIX century building with a great history behind. The milonga will take place in a historical ballroom. Guests will be able to order from the bar during the entire evening.
address: Św. Jana 2
about the location: Feniks Club – an outstanding place established in thirties last century, that hasn’t changed its decoration ever since then! Our grandparents used to dance tango, foxtrot and waltz there. The club is known for the jazz concerts played also during World War II. It’s most likely the only place in Poland were the tango has been danced for nearly 100 years. It’s a perfect place for the Festival afterparty.
|12:00-13:30||Gianpiero y Maria - intermediate- Boleos: technic and dynamic building of the different boleos. Circular Boleos.||Mila Vigdorova -technique- Dance instead of follow- woman role in the dance. Musicality, active following and adornments that add instead of disturbing||Mila Vigdorova -technique- Spiral. spaces in the body and external references. Body logic and connection in circular and linear movements. Ocho. Boleo. Giro|
|13:45-15:15||Majo y Rodrigo -masterclass- Ultra super druper mega turns.How to do it playing with the free leg in both roles. How to stop without loosing your dignity.||Tymoteusz Ley y Mila Vigdorova -masterclass- Aerodynamics. Controlling the free leg in the air, suspension, release and accent in the aerial movements. Advanced musicality in ganchos, voleos and colgadas.||Tymoteusz Ley y Mila Vigdorova -intermediate- 3D Tango. Volume of the movement,Using the rapid slowdowns and accent to create unexpected musical effects, by playing with building up and releasing the tension|
|Gianpiero y Maria -openlevel- Fantasia in « Sistema Cruzado ».Hundreds ways to transform simple tools.To move in crossed system gives an incredible effectiveness in practicing synchronism, attention towards the other and creativity. Tools and advices or keep the embrace and enrich dynamics.||Majo y Rodrigo -openlevel- Bubble Gum Expantión to get awearnes in the contacts. Lear from the elastics. How to use their energy to develop the movement.||Gianpiero y Maria -openlevel- Vals: Elements and tools to keep the flow and variety in giros|
|15:30-17:00||Majo y Rodrigo -intermediate- Mix salad milonga milonga lisa, milonga traspié, pausas, change of dinamics, qualities.||Gianpiero y Maria -masterclass- The Mood of the dance, Musicality, Expressivity and Intensity. Playing with tone, speed, dynamic: Concrete and useful tools to trigger communication and enrich interpretation. How our attitude influence the dance and how to consciously play with it.||Gianpiero y Maria -masterclass- Walking: continuity in connection. Follower's back leading, dynamic constructions, leading the "future".|
|Majo y Rodrigo -intermediate- Tunning the ears Musical interpretation.||Majo y Rodrigo -openlevel- Game of roles We use different games to a different approach to tango Exercises and games to Prepare the body to be more sensible with my partner proposal .Changes roles and tools to reach what we really want to develop.|
|17:15-18:45||Mila Vigdorova -technique- If your inner goddess. Attitude is more than technique. Quality and volume of the movement. Inner connections. Structure. Elasticity. Presence.||Gianpiero y Maria -intermediate- Changing the axis of the "giro" to leader/follower; planeos, lapices, enrosques.||Majo y Rodrigo -masterclass- On low heat Suspension, pause and attack in the movement.|